Bhaja Govindam Verse- 7

बालस्तावत्क्रीडासक्तः

तरुणस्तावत्तरुणीसक्तः ।

वृद्धस्तावच्चिन्तासक्तः

परमे ब्रह्मणि कोऽपि न सक्तः ॥ ७॥

Baalastaavat kriiDaasaktaH

 TaruNastaavat taruNiisaktaH .

vRiddhastaavachchintaasaktaH

 parame brahmaNi kopi na saktaH

(baalaH = childhood; taavat.h = till then; kriiDaa = play; saktaH = attached / engrossed / absorbed; taruNaH = adolescent; young man; taavat.h = till then; taruNii = young woman; saktaH = attached / engrossed; vR^iddhaH = old man; taavat.h = till then; chintaa = worry; saktaH = attached / engrossed / absorbed; parame = in the lofty; high; supreme; brahmaNi = (in) Brahman ; God; ko.api = whosoever (nobody); na = not; saktaH = attached / absorbed; engrossed.)

(Baalastaavat kriiDaasaktaH= as a child, (one is) absorbed in play; TaruNastaavat taruNiisaktaH . = as young man, engrossed in girls; vR^iddhastaavachchintaasaktaH = as old man, immersed in anxious thoughts; parame brahmaNi ko.api na saktaH = (Alas!) nobody is attracted to the Para Brahman!)

The philosopher in Sri Sankara portrays the truth about man’s journey of life and laments that everybody is immersed in worldly pursuits, but none is interested in realising God. As a child, he is immersed in play and games without a worry of the world. The play in childhood gives way to lust in his youth. His sole aim now is to attract the opposite sex and enjoy their company. As he gets older, he understands his folly a little, but not much. He is a worried man now; but the worry is not about God realization: his worries are mostly on his past life, his relatives, his sons and perhaps their children. Life is spent like this in vain, without any purpose. Alas! He finds no time to contemplate on God and thus fulfill his life’s mission. He refuses to believe there is anything beyond this mundane existence and keeps himself busy with meaningless worldly activities. He thinks that all he sees here is the everlasting thing and whole-heartedly devotes his time to it. When the messengers of death suddenly force him, it is perhaps with a heavy heart that he leaves this world reluctantly.

Man spends most of his time in ‘kamini kanchana’, wealth and woman and forgets his aim. Most people do not even know that there is an aim. People are so busy in their day- to- day affairs, too engrossed in keeping their position in society, that there is no question of even remembering God. Some realize this only at a time when it is too late. We forget that life is of five minutes and the sooner we search for God, the better it is.

Bhaja Govindam Verse- 6

यावत्पवनो निवसति देहे

तावत्पृच्छति कुशलं गेहे ।

गतवति वायौ देहापाये

भार्या बिभ्यति तस्मिन्काये ॥ ६॥

yaavatpavano nivasati dehe
taavatpRichchhati kushalaM gehe .
gatavati vaayau dehaapaaye
bhaaryaa bibhyati tasminkaaye .. (6)

(yaavat.h = so long as; pavanaH = air / breath; nivasati = lives / dwells; dehe = in the body; taavat.h = till then; pR^ichchhati = asks / inquires; kushalaM = welfare; gehe = in the house; gatavati = while gone; vaayau = air (life-breath); dehaapaaye = when life departs the body; bhaaryaa = wife; bibhyati = is afraid; fears; tasminkaaye = tasmin.h + kaye, that body.)

(yaavat.h dehe pavanaH nivasati = As long as breath (prana) resides in the body; taavat.h gehe kushalaM pR^ichchhati = Till that time (people) enquire the welfare; dehaapaaye, vaayau gatavati = when the body falls with the departure of breath; tasmin kaaye bharyaa bibhyati = (even one’s) wife is afraid of that body)

Even wife is afraid of her husband's dead body, the body which gave her pleasure and pain in life; which shared her joys and sorrows: Lo! Now that is past; It is now a lifeless lump: a dead body! This is also a sour fact. As long as the breath of life is there, people come and surround. The departure of prana (jeeva) changes the whole scene. People want to get rid of the dead body as soon as possible. We should understand that the body is useful only to this extent. It is the best instrument we have to make the best out of life: to realize God. But if we think that it is everlasting and give too much attention to mend it, that is a fruitless exercise.

It is to be remembered that the body is undergoing change always. The pretty baby soon grows into a handsome youth. Youth has soon to give way to old age and its accompaniments of disease and weakness and the inevitable end. The body has no value without its master, the soul. It is like the empty cage from which the bird has flown away. Without soul, it is just a corpse, which repels everybody. The Acharya reminds us these harsh realities of life and urges us to give up the yearning for mundane things. Knowing the limitations of the body will help us keep a healthy attitude in life and turn the mind to everlasting principles, rather than concentrating on daily affairs.

Jagadanandakaraka - Hymn to the Lord who bestows happiness- Video, Lyrics and Meaning.

Jagadananda Karaka

Ragam – Natai

Talam – Adi

Tyagaraja

DETAILED MEANINGS: Courtesy Mrs. Jayasri Akella, Ramesh and parents of Dr. Srikanth Vedantam

General Meaning:

Shri Thyagaraja has described Sri Rama as Parabrahma, which is greater than the trimurthis. Pancharathna kirtanas are famous like the countless small kirtanas whose, length, substance and greatness have epic proportions. In these births, tenets of  worship, benevolent rule and the incidents of  Rama and Krishna avatars are told lucidly.

Pallavi:

Jagadaananda Kaarakaa - Jaya - Jaanaki  Praana Naayakaa

Jagath= world

Ananda= happiness

Karaka= bestower

Jaya= Victory to you!

Janaki= Sita

Praana Naayaka= Husband

 [Meaning: Bestower (“kaaraka”) of happiness (“Ananda”) to the world (“jagada”),

  Sita's (“janaki”) husband (“prana nayaka”), Victory to you (“jaya”)!]

P P       P np     pm gm             P N      S   S     ;  N      S  ;       ;  ;        ||

Jaga     daa -    - - - -    nan      da Kaa    ra      ka

P P       n n P    n n P    ;  sn      | N – N              S ;      pn sn    pmgm              ||

Jaga     da--      - - -       -  nan    -    da               Kaa    - - - ra  ka ----

P P       n n P    Psn      R ;       | ;  sn    pm R   ; gm     pn pm  ||

Jaga     da         - - -     nan            - -   -  - da    Kaa     - raka-

P P       n n P    Psn      R ;       | rs sn   np pm gm rs   gm pm             ||

Jaga     daa      - -         nan        - - - - - -  - da  Ka –ra            kaa-- -

P P       rs sn     np pm mr rs    | np – S            ;  S      gm pn pm gm             ||

Jaya     Jaa- -      - - na-    ki - - -            - -    Praa  na Naa- -    ya- ka-

P P       n P m   g M g   G  M    |  pn – P            ; pm    R ;        S ;       ||

Jaga     daa      - - -      nan-       da-   Kaa ra- ka        - -

Anupallavi

Gagana Adipa - Sath Kulaja - Raja Raajeshwaraa

Sugunaakara - Sura Sevya - Bhavya Daayakaa Sadaa Sakala

Gagana= skies

Adhipa = King

Sath kula= best race

Ja = born in

Raja Rajeswara= King of kings

Suguna kara = one with noble character

Sevya = worshipped by

Sura = devathas

Daayaka= bestower of

Bhavya = success

Sadaa sakala= at all times

[Meaning:

Born (“ja”) in the best race (“sath kula”) of Surya, the king (“adhipa”) of the skies (“gagana”).

King of kings (“raja rajeshwaraa”), fund of the noblest character (“suguna kara”).

One worshipped by the devas (“sura”), bestower (“daayaka”) of all successes (“bhavya”) at all times to all the worlds (“sadaa sakala”).]

; n n     , S ,      ; p n     , S ,      |  P N   S ;        ; ;         sn N     ||

  Gaga  naa       dipa     Sath       Kula ja

P n n    , S ,      ; p n     , S ,      |  pp ns             , n – pn            sn pm   gm ps   ||

  Gaga  naa       dipa     Sath       Kula ja Raja Raajeshwaraa

np -n n             , S ,      ; p n     , S ,      |  pp ns             , n – pn            sn pm   -  R ;    ||

  Gaga  naa       dipa     Sath       Kula ja Raja Raajeshwa   raa

m g   pm    n  p  s  n   s  R s   sn pm    | R – , r               r s   S            , n P     , m gm            ||

Sugu naa   kara Sura Se-vya Bhav-    vya Daa  - ya kaa Sa daa    Sa ka la

Charanams

1.   Amara Tharaka Nichaya - Kumudahitha PariPurnaa Anagha  - Sura-asura

     Puja - Dadi Payodhi Vaasa Haranaa - Sundara Thara Vadana - Sudhaamaya Vacho Brinda - Govinda Saananda - Maa Varaa - Jaraaptha - Shubakaraa   Aneka

Amara = devas (Without death)

Taraka = collection of stars

Nichaya = moon

Kumuda = flower

Pari purna = Blemishless

Anagha = sinless

Sura asura puja = worshipped by devathas and rakshasas

Dadhi = curd

Payodhi = milk

Vaasa harana = stealing from the pots

 Sundara thara vadana =one who has the countenance

Sudhaa maya = filled with nectar, sweet

Vacho brinda = words

 Govinda  = Govu + Vinda : String that ties the cow

Sa ananda =  sath + Ananda = true happiness

Maa Varaa  =  lord of lakshmi

Jaaraptha = ever young

Aneka Subhakaraa= giver of all kinds of successes

[Meaning: The moon (“nichaya”) amongst the Milky Way (“thaaraka”) of the devas (“amara”).

Karpaka tree (“kumuda hitha”) to the devas.

Blemish less (“paripurna”), sinless (“anagha”) one.

Praised (“puja”) by devas and asuras (“sura asura”). 

An expert in stealing (“vaasa haranaa”) curd (“dadhi”) and milk (“payodhi”) from milk pots. One who has the best countenance (“sundara thara vadana”) and utters the nectar dripping sweetest (“sudhamaya”) words (“vacho brinda”). 

One who is always happy immortal and ever young (“govinda, saananda Jaraaptha”). Lord of Lakshmi (“maa varaa”).

Giver of all successes to everyone who come to you (“aneka shubakara”)]

1. ssn   p  ; mp             s s r     s     s m m r    | sm  M   ; P        ; pm     mp mm            ||

  amaraTha raka  nichaya ku mudahitha Pari Pu         rnaa     nagha    sura- sura

R s – m            r s S     n   P m g m P | S  s – n    n s  n n       s  n  P r s     n p          ||

puja dadi payo            dhivaasa haranaa  Sunda ra  dara vada   na Sudhaa   maya va sho

, s n p   M  np   m R – p           m r   S | , p p – s               S    n –   p    m  r S             , r g m   ||        

 brinda Govin-    da Saa nan- da maa  varaa ja   raa ptha Shu ba karaa      ne- ka

2.  Nigama Neeraja Amruthaja Poshaka - Animisha Vairi Vaaridha Sameerana -

Khaga Thuranga -  Sath Kavi Hrudaalaya  - Aganitha Vaanaraa Adhipa Natha Angriyuga

Nigama = Vedas

Neeraja = lotus

Amrutha ja  = born in amrutha

Poshaka =  one who expounds

Animisha = devathas

vairi = enemies

sameeram = wind (hurricane)

vaaridha sameerana = hurricane to the dark clouds

Khaga = garuda

Thuranga = vehicle

Sath kavi = noble poets

Hrudaalaya = in the temple of their hearts

Aganith = countless

Vaarana = vaanara

Adhipa natha = worshipped by the  leader

Angri yuga= pair of feet

[Meaning:

One who expounds (“poshaka”) the sweet (“amrutha”) words dripping from the lotus (“neeraja”) called the Vedas (“nigama”).

One who sweeps the enemies (“vairi”) of the devas (“animisha”) as the hurricane (“vaaridha sameerana”) sweeps the dark clouds.

One who has the garuda (“khaga”) as his vehicle (“thuranga”).

One who resides in the hearts (“hruda - aalaya”) of the greatest poets (“sath kavi”). 

One whose feet (“angriyuga”)  is worshipped (“natha”) by Sugriva the leader (“adhipa”) of the countless (“aganitha”) monkeys (“vaanaraa”).]

2. sn p     m   , n P    m   r s-   n        , r S         |  s n p – s   , s  R     s r     s-  p   , m n p ||

  Nigama Nee rajaa Mruthaja Po     shaka     Nimisha  vai ra vaa ridha Sa mee  - rana

s n       p – r  ,  r   S       p s   n p      , m g m    | p    p s     s   , n P    m    r   s - s  ,     r g m||

Khaga thu ran ga Sath kavi hrudaa  laya -      aga nitha vaa naraa  dhi pa na than  griyuga

3. Indra Neela Mani Sannibha Apaghana -    Chandra Surya Nayana -

   Aprameya  -    Vaageendra Janaka -     Sakalesha -    Shubra Naagendra Shayana -

   Samana Vairi Sannutha

Indra neela mani = blue diamond of indra

sannibha =  like,  equivalent (diamonds)

apa: got

Ghana : Grand

chandra surya = moon and sun

nayana = eyes

chandra surya nayana = one who has moon and sun as eyes

aprameya = one who is beyond comprehension

vaak + indra , vaageendra = Husband of the goddess of learning, i.e. refers to Brahma (husband of Saraswati)

janaka = father

sakalesa = lord of everything

subra nagendra sayana = one who is rests on the great white snake

samana vairi = enemy of death

sannuthanga = praised

[Meaning:

One who has (“apa”) a grand (“ghana”) body like (“sannibha”) the blue (“neela”) diamond (“mani”) of Indira.

One who as the moon (“chandra”) and the sun (“surya”) as eyes (“nayana”).

One whose greatness is beyond comprehension (“aprameya”). Father (“janaka”) of Brahma (“vageendra”). 

Thou are the lord of everything (“sakalesha”).

One who has the white (“subra”) snake (“naga”) king (“indra”) as his bed (“shayana”).

One who is worshipped (“sannutha”) by lord Siva, the enemy (“vairi”) of death (“samana”) Yama.]

3. P n    p   , n   p m   M p   m    , p m g          | G m – g     , m  r s      N s – g             , m P ||

    Indra Nee la mani sanni  paa   paghana     Chandra Su  rya naya        na pra me  ya Vaa

P      n   p    s n    r s    M  r  - s      n p    M      |  g m p -  s       n p – pn  p-     m r s  s r g m ||

geendra ja  naka Saka lesha Shu    - bra Naa    gen-dra Sha   yana Samana Vai-riSan-nutha

4.   Pada Vijitha Mouni Chaapa -  Sava Paripaala -  Vara Manthra Grahana Lola

      - Parama Shantha Chittha - Janakajaa Adipa  - Saroja BhavaVaradaa - Akila

Pada vijitha mouni = sage Gauthama

saapa = curse

Sava= yagna

Pari paala vara= protector,

Sava paripaala vara = one protected the yagna , lord rama

Vara manthra Grahana lola= one who learnt the mantra from viswamitra

Parama saantha = very peaceful

Chitta = mind

Parama saantha chitta = one who has a very peaceful mind

Janaka ja = sita

adhipa = lord

janaka jaadhipa = lord of sita

Saroja bhava= one who is born from the lotus, brahma

Vara daa = granter of boon

Akhila = Whole

[Meaning: Remover (“vijitha”) of Gauthama’s (“mouni”) curse (“chaapa”) by the touch of his divine feet (“paada”).

Protector (“paripaala”) of yagas (“sava”).

One who took great interest (“lola”) in understanding (“grahana”) the best mantras Bala and adhibala from Vishwamithra.

One who has a very peaceful mind (“parama shaantha Chitta”).

Lord (“adhipa”) of Sita (“janakajaa”).

Granter of boon (“varadaa”) to Brahma (“saroja bhava”).

Giver of happiness to the entire world (“akila”).]

4. P    n p  m p   N     p  M -     n  pm    pn |  P , - m   m p   M   , g    m p        n  P p ||

   Pa da vi ji tha Mou ni Chaa pa Sava Pari paa   la   vara Man thra graha     naLola

n s r      s    ,  s-    P     p – m r s   N pm           |  s S n  p  n      s r    R , s       , n pm   ||

Parama Shan tha Chittha Janaka Jaadipa         Saroja BhavaVara daa -      -  -  kila

5. Srushti Stthiyantha Kaarakaa - Amitha Kamitha Phaladaa - Asamana Gaathra -

  Shachee Pathi Sutha Apdhi Madahara - Anuraga Raaga Raajitha Katha Saarahitha

srushti = creation

sthiti = sustenance

anthya = destruction

kaara = reason, (here: one who is responsible for the three functions)

amitha = countless

kaamitha phala  = fruits of desires

Asamaana = incomparable

gathra= body

asamaana gathra = one who has a body beyond comparison

sachee pathi Sutha= Son of the husband of sachee (reference to Vali, the son of Indra)

abdhi= seas, ocean

mada harana = one who subdues the ego of

anuraga raaga ra jitha kadha = story of love and desire, ramayana

saara  = essence

hitha = one who is the reason behind ramayana

[Meaning:

One who does (“kaaraka”) the three functions of creation (“srushti”), protection (“sthithi”) and destruction (“antha”).

 One who fulfils (“daa”) countless (“amitha”) prayers (“kaamitha phala”).

One who has a body (“gaathra”) beyond comparison (“asamaana”).

One who subdues (“hara”) the pride (“mada”) of Indira’s (“sachi pathi”) son (“sutha”) Vali and king of the seas (“abdhi”).

One who is the essence (“saarahitha”) of Ramayana, the story (“katha”) that is embodiment (“raajitha”) of love (“anuraaga”) and desire (“raga”).]

5. S P   M    R  s    P    m   G   pm       | G  mp    n p     G    m P m   G   p     m          ||

 Srushti Stthiyan  tha Kaara    kaa mitha Ka mitha Phala daa samana gaa thra Sha

R      np    m R – s      n p m r , r S      | p S – m  P  r g            m P – s            , n pm ||

chee pathi sutha  pdhi madaharaa     nura       ga ra    a ra   jitha katha Saarahitha

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6. Sajjana Maanasa Abdhi Sudhakara - Kusuma Vimaana  - Surasaa Ripu Karaabja Laalitha Charana - Avaguna Asuragana Mada Haranaa - Sanaathana Aja nutha

Sajjana = noblemen

Maanasa abdhi= in the sea of their hearts

Sudhakara= moon

kusuma = flower

vimana =  here: pushpaka vimana

surasaa ripu = hanuman

kara abja= lotus like hands

laalitha= caressed

charana = feet

avaguna=  evil character

asura gana=  group of demons

mada harana = one who subdued their ego

sanaathana= immortal

ajanutha= worshipped by brahma

[Meaning: Your are the moon (“sudhaakara”)  of the noblemen (“sajjana”) who are as sweet as the sea (“abdhi”) of amruta.

You ride on the Pushpaka (“kusuma”) Vimana.

Your feet (“charana”) are pleasantly caressed (“laalitha”) by the lotus hands (“kara-abja”) of Hanuman (“surasaa ripu”).

You are the lord who subdued (“mada harana”) the demon (“asura gana”) like forces of evil character (“ava-guna”).

Your are immortal (“sanaathana”) and worshipped (“nutha”) by Brahma (“aja”).]

6. S n p   R     s-  m    r s – p p   ,  m r -  s | g m p      m  , m – np    P – n s   r S s       || 

  Sajjana Maa na Sap - dhi Sudha kara Ku suma- Vi ma na   Sura saa Ripu Karaapja

P m r    s n P    s n P    r s n p |   , m r  s    n P – s    S p p       ,    m g m         ||

Laalitha Charana vaguna Suragana     Mada ha  rana Sanaa thanaa Janatha

7.  Omkaara Panjara Keerapura - Hara Saroja Bhava Keshavaadi Rupa - Vaasava Ripu Janaka Anthaka -  Kalaadhara - Kaladara aptha - Ghrunaakara - Sharana Agatha Jana Paalana - Sumano Ramana - Nirvikaara - Nigama Saarathara

Omkaara = pranavam

Panjara = cage

keera = parrot

pura hara = siva

saroja bhava= brahma

keshava = vishnu

adi rupa= other forms

sava ripu janaka anthaka= one who killed ravana(sava ripu janaka)

kalaadhara= one who bears moon, siva

kalaa dhara aptha=  embodiment of all arts (kala)

ghruna aakara=  abode of compassion

saranaa gatha jana paalana = one who takes care of those who surrender at his feet

sumano ramana = one who gives happiness to noblemen

nirvikaara =  attributeless

nigama saara thara= essence of vedas

[Meaning: You are the parrot who lives (“pura”) in the cage (“panjara”) of Pranava (“Omkaara”).

You are the sum total (“rupa”) of Siva (“hara”), Bhrahma (“saroja bhava”) and Vishnu (“keshava”) and others (“aadi”).

{Alt: (?) The destroyer of Tripura - who took form from the lotus }

Thou art the slayer (“anthaka”) of Ravana, Father (“janaka”) of Indirajit (“vaasava ripu”).

Your are the embodiment of all arts (“kalaadhara”).

You are the embodiment of all arts (“kala dhara aptha”). {Alt: Your are dear (“aptha”) to Siva, who is the embodiment of arts }.

You are the abode of compassion (“ghrunaakara”) giving succor (“paalana”) to those who surrender to you (“sharana-agatha jana”).

You give happiness to noblemen (“sumano ramana”).

You are beyond description using attributes (“nirvikaara”).

You are the essence (“saarathara”) of Vedas (“nigama”).]

7. S , s             , s -  S  r s  N , s s n   |  p p s s           , n – p n               s n p m   R – n   p  ||

  Om kaa ra Pan   jara Kee  ra pura   hara Saro ja Bhava Ke- - sha  vaa di Ru

, m r  , s n   p m   r s   S              p s    n p     |  , m r  s  S – p p     , p –   n    s    , r g  -   m   ||

 pa Vaa  sava ripu Janakaan thaka Kalaa       dhara ka la da ra   ptha Ghrunaa  kara - sha

r G   m p   n p – s   , s n – p   s S – m   | m r    S    r N s      p n m     p   , -  m g m   ||

ranaaga  tha jana Paa lana Sumano Ra    mana Nir vikaara Nigama Saa     rathara

8. Karadrutha Shara Jaalaa  -  Asura Madaa Apaharanaa - Avanee Sura - Suraa Vana Kaveena - Bilaja  Mouni Krutha Charithra Sannutha - Shree Thiagaraajanutha

kara drutha = hands adorned

sara jaala = group of arrows

asura mada apaharana = destroyer of ego of asuras

avanee sura = God-equivalent of the earth, a true Brahmin

sura vana kaveena =  protect the gods

 bilaja mouni = muni born from an anthill, valmiki

krutha charithra= one who has the epic written by valmiki

sannutha = spread your fame by that epic

sri thyaagaraaja nutha = praised by Sri Thyagaraja

[Meaning:

Your hands (“kara”) are adorned (“drutha”) with numerous arrows (“shara jaala”).

You are the destroyer (“apaharanaa”) of the ego (“mada”) of the Asuras.

You are the protector (“kaveena”) of Brahmins, the god-equivalents on earth (“avanee sura”); and the gods (“sura”).

You are famous and your fame is spread (“sannutha”) through the epic (“charithra”) Ramayana written (“krutha”) by poet Valmiki (“bilaja mouni”).

You are the lord worshipped (“nutha”) by Shri Thyagaraja.]

8. p m r s      n p     S    S , - m    r s     S   |   , pm r        S   - n p     , - p m r    S – pm ||  

  Karadrutha Shara ja   laa  su   ra madaa      apahara   na Vanee    sura su    raa vana

p N n   p n s -   r   , r – m p     n P p     |    s n p m     R –   n p    m r – S          ,  r g m  ||

kavena Bilaja  mouni krutha charithra san-nutha shree thia-  -  ga  raa             janutha

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9. Puraana Purusha - Nru Varaathmajaa - Asritha Paraadheenakara - Viraadha  Raavana Viraavana - Anagha Paraashara Manohara - Vikrutha Thiagaraaja Sannutha

Puraana purusha= ageless god

Nru  = king, here dasaratha

Nru Varaathma ja = son of dasharatha

Asritha paraadeena =  protector of followers (slave of the believers)

Khara , viraatha, ravana = rakshasas such as Khara , viraatha, ravana

Viraavana = slayer

Anagha = sinless

Paraasara = vyasa

Manohara= friend (one whose heart is stolen by)

Vikrutha=  Imperfect

Thyagaraaja sannutha: Praised by Tyagaraja

[Meaning:

  Ageless (“puraana”) God (“purusha”)!

 The son (“jaa”) of king (“nru”) Dasaratha (“varaathma”).

 The helper and protector (“paraadheenakara”) of the followers (“asritha”).

 Slayer (“viraavana”) of Kara, Viratha, and Ravana.

You delight (“manohara”) the sinless (“anagha”) Parashara muni.

 Praised (“sannutha”) by the imperfect (“vikrutha”)mortal Tyagaraja. ]

9. p P n   p m n   p  - m  M  p    m g m r   |  s R -  s     m g  p m   n P m   g m p n       ||

 Puraana Purusha Nru Varaathma Jaa-sritha   Paraa dhee -  na kara      viraadha   Raavana

p S s    r s m r   s R - s   n  p M        |  g G m    p    s    n  p      m R s    s r   g m        ||

Viraava Naanagha Paraa sha  ra Mano             hara Vi krutha Thia-   garaaja San-nutha

10.    Aganitha Guna - Kanaka Chela - Saala  Vidhalanaa - Arunaa Abha Samaana Charanaa -  Apaara Mahimaa  -  Athbhutha Sukavijana Hruth Sadana -  Sura Muni Gana Vihitha - Kalasha Neera Nidhijaa Ramana - Paapa Gaja Nrusimha Vara Thiagaraajaadi Nutha

aganitha guna= countless qualities

kanaka chela= golden coloured silk clothes

saala vidalana= piercing saala trees (by krishna)

aruna abhasamaana charana = red coloured feet

apaara mahima = limitless fame

adbhutha su kavi jana = very great poets

hruth sadanaa = dwells in hearts

sura muni gana =  group of devas, saints

vihitha =  does many good things

neera nidhi jaa ramana= lord of lakhsmi

papa = sin

gaja = elephant

nrusimha = lord narasimha

vara thyagaraaja nutha=  worshipped by  shri thyagaraaja

[Meaning:

One who has countless (“aganitha”) good qualities (“guna”).

One who adorns saffron colored (“kanaka”) silk clothes (“chela”).

One who pierced Mara trees (“saala vidhalanaa”).

One who has divine rosy (“aruna abha samaana”) feet (“charana”).

Thy fame (“mahimaa”) is limitless (“apaara”).

One who dwells (“sadana”) in the hearts (“hruth”) of very great (“adbhutha”) poets (“su-kavijana”).

One who does many good things (“vihitha”)  for the devas (“sura”) and saints (“muni gana”).

The lord of Lakshmi (“Kalasha neera nidhi jaa ramana”).

Who is Narasimha to the elephant (“gaja”) called Sin (“papa”).

Thou art worshipped (“nutha”) by great men (“aadi”) and Shri Thyagaraja.]

10. p p n p    p n    p p – m   P n      P , n    | p – p   m m  , - p M   n     p   M   s   n pm ||

    Aganitha Guna Kana  ka Chela Saa la    Vi dha la naa   ru naa bha Sa maana Charana

, P m    g m   P   ,   m r     s    p m   r s   |  n p   m r     s – s n    p   m  r s – p   m p – s r  ||

 apaara Mahimaa  thbhutha Su ka vijana hruth sada  na  su ra mu nigana  vi hi tha kala

s – P n               s r   S    m r s – p     , m r s  |  n P p       s n      P      r S – s    , n   p m           ||

sha neera nidhi jaa ramana paa   pagaja Nrusimha Vara Thia  garaa jaa    di nutha